Staff Notes:
Ronan, in this tutorial you discussed how you have been looking atDumbo – Disney – depictions of race and gender in golden age cartoons. Need to take care here . Theoretical framework is of key importance.
Look up Paul Wells – Introduction to Animation – representations of race and gender in animation. Also., I recommend Sturken and Cartwright 'Practices of Looking' which has a section on representation of race.
Look up Hayes Code – the Hayes Code relates subversive potential of animation. Questions of regulating animation. Animation has always been seen as slightly dangerous to children.
Target 1: Try and look more critically at images/works, and develop a critical vocabulary (Deadline: )
Target 2: Reading film/animation journals and magazines will help you to further develop your own writing (Deadline: )
Target 3: Update your statement of intent to reflect the progress made and more detailed intentions of the production. (Deadline: )
Target 4: (Deadline: )
Target 5: (Deadline: )
This is my blog for my year three contextual studies at Plymouth collage of art where I am studying BA animation. You can see the work for this year’s film on another blog. Here I will be looking at old cartoons and asking how they have changed in terms of what you can and can’t get away with now. I will be covering the issues of race and stereotypes, what rules are laid down, and if this is a good thing or not. Are cartoons not as fun and free now?
Wednesday, 31 October 2012
Thursday, 11 October 2012
Popeye
Another classic cartoon I have looked at is Popeye. If you look at what I would call the proper cartoons, you can see that most of it is made up of violence. Each episode has the same basic story line being Popeye’s rivalry with Bluto to try and win over Olive Oil, who isn’t the most attractive woman in the world. In the first episode Popeye destroys an entire train line probably killing hundreds of people, just to save Olive, and in the 7th episode in order to keep silence for a baby to sleep, he goes on a sort of killing spree. He punches a harp player to death, massacres a whole music school, sinks an entire cruse ship, knocks out a man on the wireless, destroys a construction site full of people, flattens, every car in a traffic jam, and above all this, he gives his pipe to the baby to smoke.
Popeye and Bluto constantly have to prove their manhood. This is illustrated the most in probably my favourite episode entitled, can you take it? This one is all about Popeye trying to join a club of men who just beat each other up. There is also a smoking competition, something you would never get away with in kids cartoons today. That is one of Popeye train marks as well, his pipe that never leaves his mouth. The whole of Popeye is so un-PC, but I love it. I never view it as anything other that just good plain fun. It’s not setting out to offend anyone.
There is a bit in family guy that illustrates the bazaar look of Popeye brilliantly.
Wednesday, 10 October 2012
Dumbo
The first thing I have looked at is the 1941 Disney film, Dumbo. This film is rated with a U certificate.
I hadn’t seen it for many years now, but remember loving it when I was a child.
On viewing it again, it struck me how bazaar the film was. I loved the classic
animation style of the time, with the movement characters so fast paste and
flexible no matter what their body shape.
The emotions that come across in their faces bring tears to
you eyes, like the part when Dumbo goes to see his mother who has been incinerated,
it’s very emotional. The style of animation can be quite dark in places, and I remembered
finding a lot of it a little scary when I was young, but not being old enough
to really understand, so I never got nightmares. There is a lot of rain in it,
which adds to the horror. The part when they are putting up the tent I could
see might give nightmares as it is very dark and the workers also are a tad
scary. But in all these parts you usually get a break in the darkness with a
little comic relief, like Dumbo making a little mistake, and the audience will
go “awwww, how cute.” That is a common factor throughout the film. Dumbo is
shown to be a cute little creature, an innocent minor. This adds to the character
and you can really relate to him. But even with the cuteness of Dumbo, I think
if you were to make this film now in the same style of dark animation, it would
be rated as a PG. I don’t think that children would be as scared as the as the
people who put certificates on films think, this has been proven as I never suffered
from watching it over and over, but because things are too strict now. People
do I think wrap kids up in cotton wall and are over protective sometimes. Another
thing that stood out to me on viewing was the issue if race. When putting up
the tent, the men are all black migrant workers. The owner of the circus and
the performers are a white, and also the people who come to visit, like the children
who torment Mrs Jumbo, are all white. This is something that had never occurred
to me when I picked this film out to review, but again says a lot about the
time it was made in and what was acceptable. I don’t think it was a deliberate
attempted at being racist, it was just how things were at that time. The crows
are also quite obviously black stereotypes, but still, I don’t think it was
intended to be making fun of them; it was just used as their characters.
The next issue in this film that would certainly not be
allowed now is the views on smoking and alcohol. One of the most famous parts
of Dumbo is the song, “the elephants on parade.” This whole sequence in induced
by Dumbo and his mouse friend Timothy drink too much campaign after the clowns
spill it in the water bucket. It also shows the clowns constantly drinking too.
If this film was made, it would have to incorporate the sequence in some other
form, or cut it completely. I think that would be the most likely as when you
do watch it is one of the freakiest bits in the film. A lot of people say that
that part always scared them as a child, especially the part with the elephant
made entirely of heads. They crows in the end are also smoking; something that
would not be allowed at all in cartoons now. In those days however it was
nothing. One of the crows wakes Timothy up by blowing smoke at him, and then repeatedly
does so. Now if you tried putting that in a kids cartoon now people would be
saying that it was encouraging children to smoke.
Some of the dialogue used is also very un-PC. On several
occasions Dumbo is described as a freak
because of his oversized ears, and on the side of his mothers prison it say mad elephant. You also wouldn’t get the
level of abuse that the animals receive in the film nowadays. Circuses now don’t
use as much animal acts; it is more gymnasts and clowns because of animal
rights movements and the issue of animal cruelty. The film is of its time
really, but that is still the way people envision circuses, even today. If you
were to make a film involving a circus now, you would most probably include all
the traditional animal acts in it even if they aren’t true of the time, because
that it’s what people expect to see.
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